LIMINAL SPACE | | AWASITIPAHASKAN as research for MA thesis
Thesis written by: Kristina Parzen
Work presented: LIMINAL SPACE | | AWASITIPAHASKAN
Thesis written by: Kristina Parzen
Work presented: LIMINAL SPACE | | AWASITIPAHASKAN
Title: The space in-between cultures: site-specific meeting places of Indigenous and European knowledges
Excerpt: “By examining the site- and land- specific installation artworks of Métis artist Tiffany Shaw-Collinge and Canadian artist Marina Hulzenga, the liminal may be discussed as a means for understanding how knowledge is produced in this space when different cultures encounter each other.”
Excerpt: “By examining the site- and land- specific installation artworks of Métis artist Tiffany Shaw-Collinge and Canadian artist Marina Hulzenga, the liminal may be discussed as a means for understanding how knowledge is produced in this space when different cultures encounter each other.”
Link to thesis: https://dx.doi.org/10.14288/1.0394795
Reconciliation & Resurgence: Heritage Practice in Post-TRC Edmonton
Location: Edmonton, AB, Canada
Space: La Cité Francophone
Work presented: LIMINAL SPACE | | AWASITIPAHASKAN
Location: Edmonton, AB, Canada
Space: La Cité Francophone
Work presented: LIMINAL SPACE | | AWASITIPAHASKAN
Coming together to learn how each of us can contribute to reconciliation work in the heritage community. Those in attendance were encouraged to consider and examine the ways in which Indigenous peoples and heritage have been and continue to be excluded or marginalized within heritage institutions and narratives.
HIVE Residency at The FARM Studio
Location: Andore, Rajasthan, India
Curator: Shannon Conney
Participating Artists: Samuel Draper, Simrat Dugal, Shelley Etkin, Jared Gradinger, Claudia Hill, Navtej Johar, Roberto Martinez, Clara Birnbaum Pantzerhielm, and Monique Romeiko
Location: Andore, Rajasthan, India
Curator: Shannon Conney
Participating Artists: Samuel Draper, Simrat Dugal, Shelley Etkin, Jared Gradinger, Claudia Hill, Navtej Johar, Roberto Martinez, Clara Birnbaum Pantzerhielm, and Monique Romeiko
HIVE India felt like a vessel, a vessel carefully hand thrown and beautifully crafted. With much hope, love and energy infused into its skin. But what filled this vessel was yet unknown. Its contents were only revealed by the coming together of the open consciousness of both the artists and the land we met with. The caring and curious energy created by the artists allowed for the exploration of new, even unformed ideas and offerings, giving great space to the present moment.
Curator’s residency vision: “The concept of the HIVE is to give the opportunity of Time to expand our resources, share in discoveries and generate vibrancy in our own work and those of each other. As we are all engaged in professional contexts and often in a production-based milieu one might find we are lacking in Time for genuine conversations and artistic experimentation and inquisitive exchange. The HIVE offers an environment of open source exchange through active research in a non-production atmosphere.”
Curator’s residency vision: “The concept of the HIVE is to give the opportunity of Time to expand our resources, share in discoveries and generate vibrancy in our own work and those of each other. As we are all engaged in professional contexts and often in a production-based milieu one might find we are lacking in Time for genuine conversations and artistic experimentation and inquisitive exchange. The HIVE offers an environment of open source exchange through active research in a non-production atmosphere.”